If you needed proof that Florence Pugh is something of a style chameleon, then you need only look at the outfits the actor has packed and worn during Paris Fashion Week. Her stay in the city has seen the 27-year-old move through the style spectrum, trying on a plethora of new-season trends for good measure. Her recent looks prove that, much like her body of work, Pugh is no one-trick pony.
The first outfit she wore played on the preppy side of style, pairing wardrobe staples for chic perfectly Parisian effect done the FP way. Pugh wore a Valentino white shirt worn open over louche black trousers with trainers for a sporty touch. With her hair still shorn in a peroxide crop, it brought a punky finishing touch to this otherwise prim and proper ensemble.
Next up was something entirely different. To attend The Business of Fashion's gala event, Pugh turned to Valentino once again. This time it was a daringly sheer black gown that came complete with a plunging neckline and swishing, swooshing skirt that Pugh clearly had a lot of fun playing with on the night. Here she opted for dramatic makeup with a smokey eye, which was brought further into focus thanks to her slicked-back hair.
Read Next
Next up, and the prime reason she was in the city, was the Valentino spring/summer 2024 show. Pugh, who stars in the Italian house's Rockstud campaign, is not only a friend of the house but of its creative director Pierpaolo Piccioli, too. To watch his next collection unveiled, Pugh wore a baby pink suit from resort 2024. This classic silhouette was given a feminine do-over thanks to its blush tone and Pugh's decision to pair it with a bow-detail cropped top. The catwalk's obsession with bows shows no sign of slowing down for next season, so consider this Pugh's co-sign that the trend is here to stay.
The last outfit to complete this stylish quartet saw Pugh look back to the Sixties for inspiration. In Valentino once again, Pugh could easily be likened to Andy Warhol's muse Edie Sedgwick as she opted to take on her signature graphic eye look and a side-parted hair slick. The dress itself was likely the cause for the throwback-inspired take. The natty shift was exactly the sort of style that was born out of the Sixties, complete with a mini-skirt hem, feather-trim sleeves and a swinging silhouette. Even her choice of over-the-knee boots felt in an homage to the era of new liberation in style.
Whatever next? When it comes to Florence Pugh, nobody can be sure. Though, it's probably going to be Valentino.
